You need to follow my settings for HLG3/Slog2/Slog3 picture profiles, apply one of the LUTs and enjoy!The LUT file itself is represented by the blue block labelled “3D-LUT”.
11 x (2 versions) Cinematic/Creative HLG3 LUTs (WORKS on any HLG PP) 4 x (2 versions) Cinematic/Creative Slog2 LUTs 4 x (2 versions) Cinematic/Creative Slog3 LUTs The LUTs work with all Sony cameras and all editing softwares. The main purpose of Sony LUTs is to breathe new life into your videos by increasing the saturation and the overall color temperature. This LUT is especially great for corporate, real estate, and action-centered videos.
Premiere Pro automatically sets the new working space to Rec.2100 HLG.It makes the overall image colder and slightly boosts the contrast to make the subject stand out, without being too dominating. Drag a clip from the Media Browser or the Project panel on to the timeline. Import HLG media ( File > Import) into Premiere Pro. Setting the color space in the Lumetri Scopes panel. In the Lumetri Scopes panel, select the Wrench icon, and set Colorspace to Automatic. LUTs can also be used to monitor the input in a specific color. 3D LUTs have a combination of three inputs defining the combination of Red, Green and Blue values allowing for adjustment of not only color but also gamma and gamut.
A LUT or Look Up Table is a table that transforms the color response and as such adjusts the 'Look' of the input.
Promising to deliver improved dynamic range and better color reproduction, the new Hybrid Log Gamma has stirred up some controversy among Sony shooters trying to decide which. Besides the Sony A7R III, the A7III is just the second mirrorless camera in the Alpha series lineup that comes with Hybrid Log Gamma (HLG) - a picture profile alternative to the widely used Cine4 and S-Log profiles.